Review
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Kirkus Reviews July 15th, 2003
The Potternaut rolls on, picking up more size than speed but propelling 15-year-old Harry through more hard tests of
character and magical ability. Rowling again displays her ability to create both likable and genuinely y
characters--most notable among the latter being a pair of Dementors who accost Harry in a dark alley in the opening
chapter. Even more horrible, Ministry of Magic functionary Dolores Umbridge descends upon Hogwarts with a tinkly laugh,
a taste in office decor that runs to kitten paintings, and the authority, soon exercised, to torture students, kick
Harry off the Quidditch team, fire teachers, and even to challenge Dumbledore himself. Afflicted with sudden fits of
adolescent rage, Harry also has worries, from upcoming exams and recurrent eerie dreams to the steadfast refusal of the
Magical World's bureaucracy to believe that Voldemort has returned. Steadfast allies remain, including Hermione, whose
role here is largely limited to Chief Explainer, and a ragtag secret order of adults formed to protect him from dangers,
which they characteristically keep to themselves until he finds out about them the hard way. Constructed, like GOBLET OF
FIRE, of multiple, weakly connected plot lines and rousing, often hilarious set pieces, all set against a richly
imagined backdrop, this involves its characters once again in plenty of adventures while moving them a step closer to
maturity. And it's still impossible to predict how it's all going to turn out. (Fiction. 12-15)
Bulletin of the Center for Children's Books September 2003
Harry Potter's latest adventure reveals an admirable hero somewhat the worse for wear: his grief at the death of Cedric,
his fear of (and connection to) the evil Lord Voldemort, and his emotional distance from Professor Dumbledore combine to
make Harry a bit short-tempered, a bit short-ed, and a bit more recognizably human. Rowling eases readers back into
Harry's world-and-Harry's precarious existence-with nary a ripple: the suburban peace of the Dursleys' manicured lives
is shattered by the intrusion of dementors, sent by a rogue in the Ministry of Magic and seeking to do Harry serious
injury. A wizard rescue party retrieves Harry from the world of Muggles and sets him down amidst the Order of the
Phoenix, a secret society that plots Voldemort's final downfall. With an escalating love life, academic complications at
school, and a Ministry of Magic determined to ignore the obvious, Harry is in an adolescent uproar. Revelations about
Sirius Black, Professor Snape, and Harry's late her cause the boy to question all he holds true, and his confusion
clouds his judgment. A roaring set of practical jokes by Fred and George Weasley against a politically appointed,
obnoxious new professor at Hogwarts lightens the tone just in time for the Order's tragic confrontation with Voldemort
and his malevolent minions. Rowling cheerfully turns her own conventions on th@ir cars, and the result is a surprising
and enjoyable ride. While Harry's much-touted love interest fizzles before it fires, familiar characters achieve a bit
more depth. Ginny Weasley starts to come into her own, Hermione employs a dryly wicked wit, and Dumbledore reveals, if
not feet, at least a little toe of clay. It's no longer quite clear that all will work out in the end; the lines are
being drawn, but, as exemplified by Percy Weasley, not everyone is on the right side. Rowling has managed to make Harry
and his e a bit less predictable, which, in the fifth of a seven-volume series, is a very good thing. JMD
Horn Book Magazine
(September 1, 2003; 0-439-35806-X)
(Intermediate, Middle School) This review is much like the proverbial tree falling in an uninhabited forest: unlikely to
make a sound. But for the record, HP5 is the best in the series since Azkaban, and far superior to the turgid HP4. With
Rowling once again f